218 bars of 3/4 -- not four -- at 155 BPM, 4:43 of playing on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 19-28, 45-51 and 175-176, and 8 more places -- 22.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 26 times: bars 16, 38, 43, 62, 78, 89 and 20 more.
7 more fills are written out on the fills page.
218 bars across 14 sections: 157 keep time, 26 are fills, 9 are stops and 8 are silent. The longest unbroken stretch of time is bars 135-163.
155 BPM, in 3/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
218 bars, about 4:43 at the written tempo. The course breaks it into 51 exercises over 13 sittings, about 29 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 26 times: bars 16, 38, 43, 62, 78, 89 and 20 more.