57 bars of 4/4 at a walking 85 BPM, 2:41 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-3, 7-9 and 13-14, and 5 more places -- 23.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 9 times: bars 32, 40, 41, 42, 43, 44 and 3 more.
57 bars across 5 sections: 39 keep time, 10 are fills and 1 is silent. The longest unbroken stretch of time is bars 1-14.
85 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 22 out of 100; the rest of the number is everything around it.
57 bars, about 2:41 at the written tempo. The course breaks it into 21 exercises over 8 sittings, about 22 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 9 times: bars 32, 40, 41, 42, 43, 44 and 3 more.