31 bars of 4/4 at a walking 81 BPM, 1:32 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 7-9, 11-13 and 15, and 1 more place -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 6 times: bars 6, 10, 14, 21, 25 and 29.
31 bars across 3 sections: 20 keep time, 6 are fills and 4 are silent. The longest unbroken stretch of time is bars 15-20.
81 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
31 bars, about 1:32 at the written tempo. The course breaks it into 10 exercises over 3 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 6 times: bars 6, 10, 14, 21, 25 and 29.