69 bars of 4/4 at 140 BPM, about 1:58 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 9, 11 and 13-14, and 1 more place -- 15.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 11 times: bars 5, 6, 7, 15, 36, 37 and 5 more.
2 more fills are written out on the fills page.
69 bars across 9 sections: 41 keep time, 11 are fills, 3 are stops and 11 are silent. The longest unbroken stretch of time is bars 47-54.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
69 bars, about 1:58 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 11 times: bars 5, 6, 7, 15, 36, 37 and 5 more.