The beat the song is built on is a 2-bar phrase, played through bars 25-31, 33-39 and 41-47, and 5 more places -- 47.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
It is played on crash, hi-hat, snare, mid tom, floor tom and kick, counted in sixteenth notes. On its own it scores 49 out of 100 -- a step up -- and the thing that decides that is how many notes a second it asks for.
The whole song is 60 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
The room opens this beat on its simplest reduction, at 116 BPM, and adds the notes back a rung at a time -- 3 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 116, 136 and 155 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A 2-bar phrase on crash, hi-hat, snare, mid tom, floor tom and kick, in 4/4 at 155 BPM, counted in sixteenth notes. It is written out above, and it covers 47.2% of the bars the kit plays.
Bars 25-31, 33-39, 41-47 and 49-55, and 4 more places. The time is kept on the silence to start with, and it changes 7 times over the song.
49 out of 100 on its own -- a step up. The song as a whole is 60 out of 100, a step up from a first song, and the work is in how often it moves around the kit.