134 bars of 4/4 at 115 BPM, about 4:40 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 62-77 and 91-93 -- 18.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 10 times: bars 24, 39, 45, 61, 78, 84 and 4 more.
2 more fills are written out on the fills page.
134 bars across 18 sections: 79 keep time, 10 are fills and 31 are silent. The longest unbroken stretch of time is bars 63-77.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
134 bars, about 4:40 at the written tempo. The course breaks it into 37 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 24, 39, 45, 61, 78, 84 and 4 more.