525 bars of 4/4 at 141 BPM, about 14:54 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 21-23, 25-27 and 29-31, and 53 more places -- 29% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
19 fills to learn, played 30 times: bars 100, 104, 115, 116, 120, 124 and 24 more.
15 more fills are written out on the fills page.
525 bars across 20 sections: 287 keep time, 30 are fills, 75 are stops and 121 are silent. The longest unbroken stretch of time is bars 181-243.
141 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
525 bars, about 14:54 at the written tempo. The course breaks it into 61 exercises over 15 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 30 times: bars 100, 104, 115, 116, 120, 124 and 24 more.