342 bars of 3/4 -- not four -- at 98 BPM, 10:28 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 70, 72 and 74, and 22 more places -- 18% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 63 times: bars 5, 13, 17, 21, 31, 33 and 57 more.
15 more fills are written out on the fills page.
342 bars across 25 sections: 143 keep time, 63 are fills, 92 are stops and 20 are silent. The longest unbroken stretch of time is bars 84-90.
98 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
342 bars, about 10:28 at the written tempo. The course breaks it into 75 exercises over 19 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 63 times: bars 5, 13, 17, 21, 31, 33 and 57 more.