62 bars of 4/4 at a walking 81 BPM, 3:01 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-11, 13 and 26-27, and 2 more places -- 17% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 20 times: bars 9, 12, 14, 16, 20, 23 and 14 more.
6 more fills are written out on the fills page.
62 bars across 10 sections: 24 keep time, 20 are fills, 2 are stops and 9 are silent. The longest unbroken stretch of time is bars 5-8.
81 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
62 bars, about 3:01 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 20 times: bars 9, 12, 14, 16, 20, 23 and 14 more.