82 bars of 4/4 at a walking 91 BPM, 3:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-11, 21-24 and 45-48 -- 19.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 4 times: bars 29, 53, 60 and 64.
82 bars across 11 sections: 60 keep time, 4 are fills, 1 is a stop and 5 are silent. The longest unbroken stretch of time is bars 70-81.
91 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
82 bars, about 3:36 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 4 times: bars 29, 53, 60 and 64.