109 bars of 4/4 at a walking 104 BPM, 4:12 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17-23, 29-35 and 45-55, and 1 more place -- 24.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 8 times: bars 24, 36, 40, 56, 60, 92 and 2 more.
109 bars across 13 sections: 78 keep time, 8 are fills, 3 are stops and 4 are silent. The longest unbroken stretch of time is bars 44-55.
104 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
109 bars, about 4:12 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 8 times: bars 24, 36, 40, 56, 60, 92 and 2 more.