75 bars at 212 BPM -- fast, and 1:25 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 41-43, 45-51 and 53-55 -- 20.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 5 times: bars 40, 57, 63, 71 and 75.
75 bars across 9 sections: 54 keep time, 5 are fills, 1 is a stop and 11 are silent. The longest unbroken stretch of time is bars 42-56.
212 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 66 out of 100; the rest of the number is everything around it.
75 bars, about 1:25 at the written tempo. The course breaks it into 26 exercises over 10 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 5 times: bars 40, 57, 63, 71 and 75.