109 bars of 4/4 at a walking 108 BPM, 4:02 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-3, 65-72 and 74-80, and 1 more place -- 18.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 27 times: bars 8, 28, 30, 32, 34, 36 and 21 more.
7 more fills are written out on the fills page.
109 bars across 8 sections: 68 keep time, 27 are fills, 2 are stops and 5 are silent. The longest unbroken stretch of time is bars 9-27.
108 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 4 out of 100; the rest of the number is everything around it.
109 bars, about 4:02 at the written tempo. The course breaks it into 33 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 27 times: bars 8, 28, 30, 32, 34, 36 and 21 more.