256 bars of 4/4 at 131 BPM, about 8:05 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5, 9 and 15, and 25 more places -- 12% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 41 times: bars 4, 6, 10, 12, 16, 18 and 35 more.
9 more fills are written out on the fills page.
260 bars across 22 sections: 137 keep time, 41 are fills, 32 are stops and 26 are silent. The longest unbroken stretch of time is bars 99-126.
131 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
256 bars, about 8:05 at the written tempo. The course breaks it into 66 exercises over 18 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 41 times: bars 4, 6, 10, 12, 16, 18 and 35 more.