126 bars of 4/4 at 130 BPM, about 3:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 54-56, 58-60 and 70-72, and 8 more places -- 26.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 15 times: bars 9, 18, 22, 27, 28, 35 and 9 more.
4 more fills are written out on the fills page.
126 bars across 8 sections: 84 keep time, 21 are fills, 12 are stops and 1 is silent. The longest unbroken stretch of time is bars 70-125.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
126 bars, about 3:49 at the written tempo. The course breaks it into 29 exercises over 11 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 15 times: bars 9, 18, 22, 27, 28, 35 and 9 more.