163 bars of 3/4 -- not four -- at 130 BPM, 4:10 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 69-84 and 157-162 -- 13.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 13 times: bars 48, 56, 64, 106, 110, 114 and 7 more.
1 more fill is written out on the fills page.
163 bars across 9 sections: 113 keep time, 15 are fills and 24 are stops. The longest unbroken stretch of time is bars 87-105.
130 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 69 out of 100; the rest of the number is everything around it.
163 bars, about 4:10 at the written tempo. The course breaks it into 39 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 13 times: bars 48, 56, 64, 106, 110, 114 and 7 more.