255 bars of 4/4 at a walking 100 BPM, 9:50 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 29, 74 and 104, and 8 more places -- 4.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
27 fills to learn, played 60 times: bars 9, 10, 16, 18, 24, 30 and 54 more.
23 more fills are written out on the fills page.
255 bars across 31 sections: 127 keep time, 60 are fills, 17 are stops and 18 are silent. The longest unbroken stretch of time is bars 113-123.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
255 bars, about 9:50 at the written tempo. The course breaks it into 114 exercises over 38 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
27 fills to learn, played 60 times: bars 9, 10, 16, 18, 24, 30 and 54 more.