152 bars of 4/4 at 130 BPM, about 4:41 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 1-7, 9-15 and 17-23 -- 14.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25 fills to learn, played 31 times: bars 8, 16, 24, 36, 44, 46 and 25 more.
21 more fills are written out on the fills page.
152 bars across 13 sections: 95 keep time, 31 are fills, 8 are stops and 8 are silent. The longest unbroken stretch of time is bars 82-94.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
152 bars, about 4:41 at the written tempo. The course breaks it into 62 exercises over 15 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 31 times: bars 8, 16, 24, 36, 44, 46 and 25 more.