180 bars at 200 BPM -- fast, and 3:44 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3-5, 7-8 and 11-13, and 5 more places -- 12.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 18 times: bars 14, 18, 22, 26, 36, 53 and 12 more.
4 more fills are written out on the fills page.
180 bars across 25 sections: 118 keep time, 18 are fills, 14 are stops and 15 are silent. The longest unbroken stretch of time is bars 141-153.
200 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
81 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
180 bars, about 3:44 at the written tempo. The course breaks it into 59 exercises over 20 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 18 times: bars 14, 18, 22, 26, 36, 53 and 12 more.