666 bars of 3/4 -- not four -- at 146 BPM, 15:06 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 256, 258-259 and 261, and 54 more places -- 12.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
46 fills to learn, played 126 times: bars 27, 31, 32, 39, 40, 47 and 120 more.
42 more fills are written out on the fills page.
666 bars across 48 sections: 327 keep time, 126 are fills, 19 are stops and 129 are silent. The longest unbroken stretch of time is bars 593-612.
146 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
87 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 78 out of 100; the rest of the number is everything around it.
666 bars, about 15:06 at the written tempo. The course breaks it into 184 exercises over 69 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
46 fills to learn, played 126 times: bars 27, 31, 32, 39, 40, 47 and 120 more.