125 bars at 180 BPM -- fast, and 2:48 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-8, 10-11 and 17-23, and 5 more places -- 21.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 30 times: bars 4, 12, 24, 25, 26, 27 and 24 more.
11 more fills are written out on the fills page.
125 bars across 9 sections: 77 keep time, 30 are fills, 6 are stops and 3 are silent. The longest unbroken stretch of time is bars 91-101.
180 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
96 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 92 out of 100; the rest of the number is everything around it.
125 bars, about 2:48 at the written tempo. The course breaks it into 44 exercises over 18 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 30 times: bars 4, 12, 24, 25, 26, 27 and 24 more.