228 bars of 4/4 at 115 BPM, about 7:56 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 39-45, 47-52 and 95-101, and 4 more places -- 26.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
16 fills to learn, played 33 times: bars 6, 14, 21, 22, 30, 35 and 27 more.
12 more fills are written out on the fills page.
228 bars across 24 sections: 121 keep time, 33 are fills, 43 are stops and 15 are silent. The longest unbroken stretch of time is bars 132-145.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 19 out of 100; the rest of the number is everything around it.
228 bars, about 7:56 at the written tempo. The course breaks it into 64 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 33 times: bars 6, 14, 21, 22, 30, 35 and 27 more.