248 bars of 4/4 at 135 BPM, about 7:22 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 57-58, 61-62 and 79, and 9 more places -- 25.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 15 times: bars 15, 16, 17, 18, 19, 20 and 9 more.
3 more fills are written out on the fills page.
248 bars across 14 sections: 161 keep time, 15 are fills, 28 are stops and 27 are silent. The longest unbroken stretch of time is bars 154-187.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
248 bars, about 7:22 at the written tempo. The course breaks it into 48 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 15 times: bars 15, 16, 17, 18, 19, 20 and 9 more.