72 bars of 4/4 at a walking 90 BPM, 3:12 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 4, 8 and 37, and 4 more places -- 9.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 22 times: bars 1, 5, 9, 16, 17, 18 and 16 more.
4 more fills are written out on the fills page.
72 bars across 4 sections: 45 keep time and 22 are fills. The longest unbroken stretch of time is bars 56-71.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
72 bars, about 3:12 at the written tempo. The course breaks it into 30 exercises over 14 sittings, about 23 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 22 times: bars 1, 5, 9, 16, 17, 18 and 16 more.