51 bars of 4/4 at a walking 100 BPM, 2:02 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 3-4, 31-34 and 37-40 -- 21.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 11 times: bars 5, 6, 11, 12, 25, 26 and 5 more.
1 more fill is written out on the fills page.
51 bars across 9 sections: 23 keep time, 11 are fills, 6 are stops and 4 are silent. The longest unbroken stretch of time is bars 37-40.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 33 out of 100; the rest of the number is everything around it.
51 bars, about 2:02 at the written tempo. The course breaks it into 20 exercises over 7 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 5, 6, 11, 12, 25, 26 and 5 more.