132 bars at 210 BPM -- fast, and 2:31 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-11, 26 and 36-38, and 3 more places -- 10.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 31 times: bars 2, 6, 8, 12, 16, 27 and 25 more.
12 more fills are written out on the fills page.
132 bars across 15 sections: 63 keep time, 31 are fills, 20 are stops and 2 are silent. The longest unbroken stretch of time is bars 17-23.
210 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 76 out of 100; the rest of the number is everything around it.
132 bars, about 2:31 at the written tempo. The course breaks it into 64 exercises over 18 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 31 times: bars 2, 6, 8, 12, 16, 27 and 25 more.