81 bars of 4/4 at a walking 95 BPM, 3:19 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-11, 18-20 and 35, and 9 more places -- 29.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 10 times: bars 29, 46, 47, 48, 49, 51 and 4 more.
2 more fills are written out on the fills page.
81 bars across 12 sections: 47 keep time, 10 are fills, 2 are stops and 17 are silent. The longest unbroken stretch of time is bars 18-28.
95 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
81 bars, about 3:19 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 10 times: bars 29, 46, 47, 48, 49, 51 and 4 more.