78 bars of 4/4 at a walking 86 BPM, 3:38 of playing, on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 15, 17 and 19, and 9 more places -- 15.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 9 times: bars 12, 13, 25, 34, 35, 36 and 3 more.
78 bars across 10 sections: 50 keep time, 11 are fills, 3 are stops and 2 are silent. The longest unbroken stretch of time is bars 55-62.
86 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
78 bars, about 3:38 at the written tempo. The course breaks it into 29 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 9 times: bars 12, 13, 25, 34, 35, 36 and 3 more.