91 bars of 4/4 at a walking 83 BPM, 4:17 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 27, 29 and 31, and 6 more places -- 11.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 22 times: bars 22, 23, 24, 25, 26, 28 and 16 more.
91 bars across 10 sections: 48 keep time, 22 are fills, 2 are stops and 11 are silent. The longest unbroken stretch of time is bars 11-21.
83 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
91 bars, about 4:17 at the written tempo. The course breaks it into 31 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 22 times: bars 22, 23, 24, 25, 26, 28 and 16 more.