116 bars of 4/4 at 114 BPM, about 4:04 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-7, 9-11 and 29-31, and 7 more places -- 29.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 27 times: bars 1, 2, 3, 4, 8, 12 and 21 more.
7 more fills are written out on the fills page.
116 bars across 13 sections: 72 keep time, 27 are fills, 2 are stops and 1 is silent. The longest unbroken stretch of time is bars 57-63.
114 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
116 bars, about 4:04 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 27 times: bars 1, 2, 3, 4, 8, 12 and 21 more.