102 bars of 4/4 at a walking 92 BPM, 4:26 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 3, 5 and 19-21, and 6 more places -- 18.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 37 times: bars 1, 2, 4, 6, 8, 12 and 31 more.
11 more fills are written out on the fills page.
102 bars across 13 sections: 46 keep time, 37 are fills and 4 are stops. The longest unbroken stretch of time is bars 58-63.
92 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
102 bars, about 4:26 at the written tempo. The course breaks it into 43 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 37 times: bars 1, 2, 4, 6, 8, 12 and 31 more.