133 bars of 4/4 at a walking 103 BPM, 5:10 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 21, 23 and 25-26, and 11 more places -- 28.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14 fills to learn, played 20 times: bars 12, 20, 35, 53, 60, 61 and 14 more.
10 more fills are written out on the fills page.
133 bars across 13 sections: 65 keep time, 20 are fills, 24 are stops and 13 are silent. The longest unbroken stretch of time is bars 6-11.
103 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 18 out of 100; the rest of the number is everything around it.
133 bars, about 5:10 at the written tempo. The course breaks it into 51 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 20 times: bars 12, 20, 35, 53, 60, 61 and 14 more.