146 bars at 220 BPM -- fast, and 2:39 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 46-49, 74-77 and 122-125, and 1 more place -- 19.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 9 times: bars 43, 45, 51, 53, 71, 73 and 3 more.
146 bars across 13 sections: 104 keep time, 9 are fills, 15 are stops and 6 are silent. The longest unbroken stretch of time is bars 18-40.
220 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
146 bars, about 2:39 at the written tempo. The course breaks it into 40 exercises over 10 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 9 times: bars 43, 45, 51, 53, 71, 73 and 3 more.