82 bars of 4/4 at a walking 80 BPM, 4:06 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 53-54, 57-68 and 70-71, and 1 more place -- 27.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 2 times: bars 8 and 55.
82 bars across 6 sections: 70 keep time, 2 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 9-33.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 53 out of 100; the rest of the number is everything around it.
82 bars, about 4:06 at the written tempo. The course breaks it into 19 exercises over 6 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 2 times: bars 8 and 55.