171 bars of 4/4 at a walking 105 BPM, 6:31 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 81, 109-111 and 113-114, and 3 more places -- 16.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 26 times: bars 30, 32, 34, 57, 58, 74 and 20 more.
7 more fills are written out on the fills page.
180 bars across 18 sections: 103 keep time, 26 are fills, 5 are stops and 31 are silent. The longest unbroken stretch of time is bars 40-54.
105 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
171 bars, about 6:31 at the written tempo. The course breaks it into 55 exercises over 19 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 26 times: bars 30, 32, 34, 57, 58, 74 and 20 more.