125 bars of 4/4 at a walking 108 BPM, 4:37 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 26-30, 32 and 42-45, and 3 more places -- 16.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 25 times: bars 5, 7, 9, 11, 12, 13 and 19 more.
7 more fills are written out on the fills page.
125 bars across 20 sections: 70 keep time, 25 are fills and 1 is silent. The longest unbroken stretch of time is bars 87-97.
108 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
125 bars, about 4:37 at the written tempo. The course breaks it into 49 exercises over 16 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 25 times: bars 5, 7, 9, 11, 12, 13 and 19 more.