239 bars at 208 BPM -- fast, and 4:23 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 87-91, 95-99 and 107-113, and 5 more places -- 18.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 21 times: bars 11, 19, 27, 35, 43, 59 and 15 more.
8 more fills are written out on the fills page.
239 bars across 24 sections: 121 keep time, 21 are fills, 60 are stops and 9 are silent. The longest unbroken stretch of time is bars 52-58.
208 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
239 bars, about 4:23 at the written tempo. The course breaks it into 62 exercises over 15 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 21 times: bars 11, 19, 27, 35, 43, 59 and 15 more.