120 bars of 4/4 at 133 BPM, about 3:37 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 58-60, 62 and 66, and 7 more places -- 13.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 25 times: bars 13, 29, 30, 37, 41, 49 and 19 more.
8 more fills are written out on the fills page.
120 bars across 13 sections: 66 keep time, 25 are fills, 13 are stops and 4 are silent. The longest unbroken stretch of time is bars 15-28.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
120 bars, about 3:37 at the written tempo. The course breaks it into 47 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 25 times: bars 13, 29, 30, 37, 41, 49 and 19 more.