136 bars of 3/4 -- not four -- at 102 BPM, 4:00 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5, 7 and 11, and 24 more places -- 25.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
15 fills to learn, played 42 times: bars 4, 8, 9, 10, 16, 19 and 36 more.
11 more fills are written out on the fills page.
136 bars across 12 sections: 76 keep time, 42 are fills, 1 is a stop and 2 are silent. The longest unbroken stretch of time is bars 90-99.
102 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
136 bars, about 4:00 at the written tempo. The course breaks it into 40 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 42 times: bars 4, 8, 9, 10, 16, 19 and 36 more.