173 bars of 4/4 at 138 BPM, about 5:00 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 18, 20 and 22-24, and 32 more places -- 32.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
17 fills to learn, played 27 times: bars 1, 9, 17, 41, 49, 53 and 21 more.
13 more fills are written out on the fills page.
173 bars across 11 sections: 107 keep time, 27 are fills and 27 are stops. The longest unbroken stretch of time is bars 82-92.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
173 bars, about 5:00 at the written tempo. The course breaks it into 42 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 27 times: bars 1, 9, 17, 41, 49, 53 and 21 more.