248 bars of 4/4 at a walking 80 BPM, 12:24 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 34, 36 and 38, and 28 more places -- 14.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 12 times: bars 149, 153, 157, 161, 169, 177 and 6 more.
2 more fills are written out on the fills page.
248 bars across 13 sections: 195 keep time, 12 are fills and 23 are stops. The longest unbroken stretch of time is bars 10-37.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
248 bars, about 12:24 at the written tempo. The course breaks it into 58 exercises over 16 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 12 times: bars 149, 153, 157, 161, 169, 177 and 6 more.