145 bars of 4/4 at 130 BPM, about 4:28 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 37-43, 45-51 and 53, and 10 more places -- 24% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 9 times: bars 36, 52, 68, 76, 96, 112 and 3 more.
5 more fills are written out on the fills page.
145 bars across 14 sections: 100 keep time, 9 are fills, 7 are stops and 16 are silent. The longest unbroken stretch of time is bars 130-145.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 20 out of 100; the rest of the number is everything around it.
145 bars, about 4:28 at the written tempo. The course breaks it into 39 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 9 times: bars 36, 52, 68, 76, 96, 112 and 3 more.