197 bars of 4/4 at 154 BPM, about 5:07 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 125-131, 133-139 and 149-164 -- 18.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 19 times: bars 40, 54, 55, 56, 63, 64 and 13 more.
10 more fills are written out on the fills page.
197 bars across 15 sections: 123 keep time, 19 are fills, 7 are stops and 37 are silent. The longest unbroken stretch of time is bars 150-164.
154 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
197 bars, about 5:07 at the written tempo. The course breaks it into 50 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 19 times: bars 40, 54, 55, 56, 63, 64 and 13 more.