82 bars of 4/4 at a walking 90 BPM, 3:39 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 25-26, 41 and 57-58, and 2 more places -- 9.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 21 times: bars 16, 17, 18, 19, 23, 31 and 15 more.
6 more fills are written out on the fills page.
82 bars across 7 sections: 43 keep time, 21 are fills, 2 are stops and 9 are silent. The longest unbroken stretch of time is bars 42-50.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 42 out of 100; the rest of the number is everything around it.
82 bars, about 3:39 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 21 times: bars 16, 17, 18, 19, 23, 31 and 15 more.