139 bars of 4/4 at 115 BPM, about 4:50 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 33, 35 and 37, and 4 more places -- 8.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 29 times: bars 2, 4, 6, 8, 10, 12 and 23 more.
16 more fills are written out on the fills page.
139 bars across 15 sections: 78 keep time, 29 are fills, 12 are stops and 8 are silent. The longest unbroken stretch of time is bars 114-133.
115 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
139 bars, about 4:50 at the written tempo. The course breaks it into 61 exercises over 18 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 29 times: bars 2, 4, 6, 8, 10, 12 and 23 more.