112 bars of 4/4 at 129 BPM, about 3:28 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 16, 18 and 20, and 15 more places -- 18.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 19 times: bars 17, 25, 29, 33, 49, 57 and 13 more.
6 more fills are written out on the fills page.
112 bars across 7 sections: 63 keep time, 19 are fills, 8 are stops and 15 are silent. The longest unbroken stretch of time is bars 35-48.
129 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
112 bars, about 3:28 at the written tempo. The course breaks it into 32 exercises over 8 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 19 times: bars 17, 25, 29, 33, 49, 57 and 13 more.