70 bars, 3:42, at 74 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 13, 17-18 and 35, and 4 more places -- 15.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 18 times: bars 14, 15, 16, 34, 36, 37 and 12 more.
1 more fill is written out on the fills page.
70 bars across 8 sections: 44 keep time, 18 are fills and 1 is silent. The longest unbroken stretch of time is bars 1-11.
74 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
71 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 72 out of 100; the rest of the number is everything around it.
70 bars, about 3:42 at the written tempo. The course breaks it into 24 exercises over 6 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 18 times: bars 14, 15, 16, 34, 36, 37 and 12 more.