181 bars, 10:01, at 72 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 98-104, 106-112 and 114-120, and 3 more places -- 24.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 19 times: bars 3, 5, 7, 9, 53, 60 and 13 more.
5 more fills are written out on the fills page.
181 bars across 16 sections: 132 keep time, 19 are fills, 6 are stops and 10 are silent. The longest unbroken stretch of time is bars 147-159.
72 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
181 bars, about 10:01 at the written tempo. The course breaks it into 49 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 19 times: bars 3, 5, 7, 9, 53, 60 and 13 more.