129 bars at 200 BPM -- fast, and 2:35 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 16-21, 23-32 and 34-39, and 3 more places -- 34.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 15 times: bars 15, 22, 33, 40, 41, 51 and 9 more.
2 more fills are written out on the fills page.
129 bars across 6 sections: 57 keep time, 15 are fills, 35 are stops and 19 are silent. The longest unbroken stretch of time is bars 52-63.
200 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
129 bars, about 2:35 at the written tempo. The course breaks it into 20 exercises over 6 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 15 times: bars 15, 22, 33, 40, 41, 51 and 9 more.