140 bars at 162 BPM -- fast, and 3:27 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3-9, 11-16 and 43-49, and 3 more places -- 22.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 20 times: bars 1, 2, 10, 18, 34, 41 and 14 more.
6 more fills are written out on the fills page.
140 bars across 17 sections: 86 keep time, 20 are fills, 6 are stops and 11 are silent. The longest unbroken stretch of time is bars 3-9.
162 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
140 bars, about 3:27 at the written tempo. The course breaks it into 45 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 20 times: bars 1, 2, 10, 18, 34, 41 and 14 more.